5.05.2011

just for now

sometimes i look into the clouds
wonder where you are
then i check my heart to see
a sigh escapes into a gentle wind
to find you walking quietly
down a rain drenched street
as droplets cascade
pitter-patter on your shoulders
while you stop to listen
turn to see me in the mist
smile oh so sweetly
raindrops to my eyes
kisses on my lips
under rainbows
there you are
always here
though
I no longer wonder
just for now

8.10.2010

hard nightmares

a nightmare slapped me hard
woke me up to stare and blink at nothing
to wonder all about it
this crazy man wanting to smash me all to bits
took a crowbar to my head
beat out a rhythm
beat it good
beat it hard
while the violence of it made me cry
i hid my face and sobbed
Knew the monster
Knew the beast
Knew the man
holding that bloody crowbar
drip, drip, dripping
crimson to the floor
soaked the cheap carpeting
1970’s shag drank my essence
until the dream escaped
hid back inside my sleep buster
so that I carried it with me
for days
for weeks
for months
my private nightmare
chained to me
until another came along

7.31.2010

Poetry Scream, Local Poets Heat-up Podium

Hosted by R. O'Donnell and featuring the fine talents of Dawn Gathings, Kitty Gibson, Brook Hofpar, Jason Munford, Tobias De Vor, and special guest Amy McKenzie, The Boiler Room's premiere Poetry Scream was a screaming success. It confirms that the talent is here, right here in Port Townsend, and that one of the spots heating-up that talent is The Boiler Room.



The Poetry Scream, a fast-paced poetry reading whereby uncensored poets are unleashed at the podium, will continue every Last Friday of the month at The Boiler Room, 8pm sharp.

The Boiler Room is a non-profit all-ages venue for music, art, poetry, and theater. A youth-run business, The Boiler Room fosters a culture of volunteers and celebrates community, growth, learning and empowerment of youth and the young-at-heart. We are located in the heart of a small Victorian seaport (Port Townsend, Washington State) in the Pacific Northwest.

Links:

http://www.ptbr.org
http://poetryscream.wordpress.com

7.30.2010

THE BOILER ROOM'S POETRY SCREAM SHOUT-OUT POETS

Brook Hofpar, Tobias De Vor, Dawn Gathings, Jason Munford, Kitty Gibson, with special guest Amy McKenzie and host R. O'Donnell will be reading their poetry this Friday the 30th @ 8pm at the Boiler Room, 711 Water Street, Port Towsend, WA.



POETRY SCREAM is an edgy humorous poetry reading whereby five uncensored poets are unleashed onstage. Our aim is to make poetry readings dangerous again.

The Boiler Room is a non-profit all-ages venue for music art, poetry, and theater. A youth-run business, The Boiler Room fosters a culture of volunteers and celebrates community, growth, learning and empowerment of youth and the young-at-heart. We are located in the heart of a small Victorian seaport (Port Townsend, Washington State) in the Pacific Northwest.

This is a FREE event!






Links:
http://www.ptbr.org
http://poetryscream.wordpress.com

7.06.2010

O'Donnell McKenzie Hit the Boards



Poster for New Age Vaudeville's The TV Dinner Hour produced by O'Donnell/McKenzie

The producing team of O'Donnell and McKenzie, best known for New Age Vaudeville, the New Variety, and The Third Avenue Playhouse have joined talents once again to produce Port Townsend, Washington's first and only professional year-round theatre company.

R. O'Donnell and Amy McKenzie are facilitating a year-round professional theatre company in the historic Port Townsend area, theatre location to be determined from a host of prospects. The theatre season would be marketed for the existing peninsula demographic as well as the tourist trade says the pair. Their format would be primarily musical comedy and comedies from Broadway, off-Broadway to pre-Broadway fare. They plan to cast out of Seattle, San Francisco, and Los Angeles with an intern program attached.

Richard O'Donnell is a playwright, producer, and actor. He has worked and lived in New York City and Chicago where he has written and performed for the stage, film, and television. O'Donnell wrote the award-winning off-Broadway musical comedy One & One , Radio City Music Hall's A Manhattan Showboat, and co-founded the New Age Vaudeville theatre company, the New Variety cabaret, and the R. Rated television show on Fox Chicago. As an actor, Mr. O'Donnell has performed for film, television, off-Broadway, off-off-Broadway, and in regional and summer stock theatres all across America. His favorite roles include Elmore in An Evening with Elmore & Gwendolyn Putts and title roles in Larry Shue's The Nerd and The Foreigner (both extended runs at the Peninsula Players).

Amy McKenzie is a producer, director, and actress. She has worked and lived in New York, Los Angeles, and Chicago where she has produced and performed for the stage and television. Ms. McKenzie co-founded the New Age Vaudeville theatre company as well as directing their biggest cult hits An Evening with Elmore and Gwendolyn Putts and the TV Dinner Hour starring Del Close, Richard O’Donnell and Megan Cavanagh. She directed and starred in numerous productions at The Peninsula Players, America's oldest residential summer theatre, as well as founding and producing their fall season. Ms. Mckenzie was on the board of directors for the Peninsula Players (before, during, and after its restoration) for over a decade, and founded and produced The Third Avenue Playhouse in Sturgeon Bay, WI whereby she successfully converted an old movie house into a state-of-the-art performing arts theatre. Being an accomplished actress, Amy has crossed the boards in national, regional, touring, and summer stock theatre's all across America. Favorite roles include Dr. Vivian Bearing in Wit, Babe in Crimes of the Heart, and Stella in A Streetcar Named Desire - directed by A.C.T.'s William Ball.

The Kreep

Dear Silly Serenaders,

How about a pink hymenoptera queen for your perusal?

in E†ernity,
The Kreep


pink hymenoptera queen by Brazillia R. Kreep

The Kreep

5.09.2010

HAPPY MOTHER'S DAY!


My sister Dee, Mother Valia Rich, Twin brother Michael, me, Grandmother Inez Munsey Rich Puopolo, Brother Billy - Ridley Park, circa 1957

Things my mother taught me…

Regarding business: Say nothing and they’ll think you know more than you do.

Regarding etiquette: Bring your favorite bottle of wine to every dinner party and then drink it yourself.

Regarding politics: Forget the party, vote the candidate.

Regarding career: Before all things.

Regarding kids: They all grow-up eventually.

Regarding Love: Compatibility is better.

Regarding Marriage: Live together first!

Regarding honeymoons: Paris.

Regarding divorce: At least you have Paris.

Regarding Mother’s Day: Send a check instead.

Love you, mom, wherever you might be!

4.11.2010

The Girl With the Dragon Tattoo Quickie Review

The Girl with the Dragon Tattoo (original title in Swedish: Män som hatar kvinnor – "Men Who Hate Women") - ‎This Swedish English-subtitled suspense/thriller‎ based on the award-winning crime novel by the late Swedish writer Stieg Larsson and directed by Niels Arden Oplev is, in a word, phenomenal. If you’re a crime-thriller aficionado you so owe it to yourself to check out this very stylized, explicitly original foreign film starring Peter Haber, Noomi Rapace, Michael Nyqvist, David Dencik, and Georgi Staykov. Seriously, the OMG did that just happen factor is off the charts. Yet it is not exploitive or gratuitous but rather a brutally sad reminder of the magnitude of its horrific subject matter.


Noomi Rapace as hacker Lisbeth Salander

On the edge of your seat and gasping for a break, The Girl with the Dragon Tattoo never dumbs down or numbs out as the acting is completely on fire, especially Goth-queen, dragon-tattooed, brains n' beauty Noomi Rapace as hacker Lisbeth Salander - Wow. She carries the film in such a way as to remind even a die-hard Jody Foster fan, that there are other actors with her talent hiding in the shadows of films abroad.

Synopsis
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her beloved uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed and troubled but resourceful computer hacker Lisbeth Salander to investigate.

LOBBY CARDS:


R. O'Donnell and Kris Spence, photo by Eric Hoffhines


R. O'Donnell and Eric Hoffhines

"I feel like a domesticated cat or something. Shut up, R., I'm concentrating."
photo by Kris Spense (don't ask)

4.03.2010

Meet Gothic Poet The Kreep


Brazillia R. Kreep

I was born Brazillia R. Kreep in Lizzards Point, Pa., October 31, 1756.

The city was named after my great, great grandfather Brazillia L. Kreep. The "L" for Lizzard, passed down through several generations. I am an author of dark ethereal poetry n’prose. Presently, I write Gothic poetry as well as many little illustrated books such as Kreeplets, Kreepy Krumbs, Kreep Sakes, and the novel Parenthia Ghoste.

Please visit my hauntings here or where'er my links will take you.

in E†ernity,

Brazillia R. Kreep
The Kreep

READ THE KREEP

The Kreep Art
The Kreep Vampire Freaks
The Kreep Twitter
The Kreep MySpace
The Kreep Facebook
The Kreep Youtube
The Kreep Gothers

1.28.2010

The Kreep pens ode to Lovecraft



O’ Poverty thy wicked Cthulhu

O’ poverty thy wicked Cthulhu
Enchained a mind in coiled darkness
T’refute remarks n’ ruminations
In poetry n’ verse thus pending
As well quick a scribe’s bereavement
Malevolent feat indeed undone our author

O’ scarcity thy heinous Cthulhu
Threadbare wellbeing, better despair
Crush thy creator well your weight
Rip innards whilst no riches dwell
Curse the life obscurity n’ unaided
Lovecraft’s passing reaps return

O’ paucity thy odious Cthulhu
Neither headstone nor words printed
Nix bed t’sleep in restful slumber
Destitute the fate of Poe
Gone the extraterrestrial mythos
Vanished here forever more

In E†ernity,

Brazillia R. Kreep

Cthulhu (kə-THOO-loo) is a fictional cosmic entity created by horror author H. P. Lovecraft in 1926, first appearing in the short story "The Call of Cthulhu" when it was published in Weird Tales in 1928.

-Wikipedia

> Kreep's Korner

1.25.2010

Love Lost




I let love go
Flew onto a windowsill
A whispered thought its wings
Not knowing where to soar
Grooming tattered feathers, it cooed at me
Tilted its head to get a better look
One last take of me
For love was never certain who I was
While the wind coaxes its departure
As it drifts upwards
Out above the world
Toward other hearts More certain

In e†ernity,
Brazillia R. Kreep

The Sadness

Sadness came to visit
Nestle in my chest
Whispered things t’taunt deep demons
Who played heartstrings with revenge
T’hear such notes, tears t’steep
O’ thy sullen eyes
Sadness knew
What sadness can
Thus told me t’beware
Sadness would return someday
If I didn’t heed
Melodies of madness
Such shattered hearts discern

In e†ernity,
Brazillia R. Kreep

2.20.2009

Hoffhines Shoots Writer R. O'Donnell



Fine photographer Eric Hoffhines shoots away at writer R. O'Donnell. Eric Hoffhines graduated with a BFA in Photography & Cinema from Ohio State University. He has freelanced for CNN and worked in all areas of production for ABC Network News, Nightline, and the original Oprah Winfrey Show.

Eric has worked as a cameraman and editor on the Fox Chicago comedy special Twisted starring Matt Besser of Comedy Central’s The Upright Citizens Brigade. For continuity, Eric co-created, along with O'Donnell, commercials featuring Besser that were shot and edited ala Ernie Kovacs for a seamless hour of programming. Sponsors included McDonalds, Toyota, Jiffy Lube, Ameritech, and Office Max.

2.19.2009

The Kreep Remembers Bread-lines Haunted By Depression Era Ghosts & Goblins

I have lived through many rigid times in America. Over the centuries, I have witnessed some awfully strange and fantastic trials surrounding our cultural composition. Especially during the Crash of 1929, preceding the Great Depression.

It is a dreadfully sad affair when you see your neighbors forced to move out of their lovely homes to bed down with friends and family; people desperately consolidating their lives to compensate for a quick n’ crumbling economy. It is frightening too because you fear the shadow of poverty and despair might envelope you next. It might tap you on the shoulder and whisper in your ear, “This way, please.”

Nothing was more peculiar, however, than to observe some of the ghosts and goblins on my block scrambling to readjust to this unanticipated human condition. Spirits were now aimlessly wandering the streets, haunting the alleyways and breadlines because their dwellings were now vacant of human beings. During these hauntingly needy times, not only the living suffered but also all the dead.

During this depression I was fortunate enough to find work on the college lecture circuit, regarding my book The Vampire – Allegory & Accuracy. Alas this only fascinated a small band of adolescent bloodsuckers calling themselves The Brood. This ragtag band of kids loved my observations, surprised by the exactness of my dissertations, and subsequently they followed me throughout the countryside. They too were falling on hard times, you see, because the wealth they amassed usually came from their affluent victims, and of late, they were as penniless as all.

Never the less, The Brood decided to create a community that, for better or for worse, feed off each other. They were, now more than ever, oddly particular in whom they let in to their tight-knit crimson tribe. It was no longer sufficient to randomly pick victims based on their stature. Now they had to assess the quality of their character as well. The Brood was morally evolving, no longer collecting monetarily but spiritually for the first time in their blood-sucking lives.

This was truly an optimistic outcome to a contemporary national crises, one that not only augmented the quality of their tribe overall, but allowed me to join them in their cause. Which I did immediately: it was inevitable; pulling together in a spiritual equality is why we survived into the next millennium–end of story.

An likewise, with today’s re-Depression looming, forcing all of us to reexamine our dependency on affluence and credit card misapprehensions, it is time to seek spiritual companionship with one another once again. Since we should never judge a person by the size of their wallet, for in these coarse times that mindset will certainly leave you, like the spirits were, wandering the streets alone. Yet the principle that we finally come together based on the quality of our hearts and not our bank accounts is a positive consequence of simply “losing it all”. And so it is my kreepy friends, dust t’dust. For you can’t take it with you in the end. For even the dead know this for certain.

In e†ernity,
Brazillia R. Kreep


DUST T'DUST

O’ how we tally silver
In calm we count thy coins
Over n’ over
Over n’ over
Whilst family nurtures on
Tic tock thy clocks
Whoosh the winds of speculation
Care little for the squall
T’procure life’s devotions
Beyond white picket fences
Fancy trimmings
Gilded blessings
More n’ more
More n’ more
Fill t’brim t’overflowing
Further parent’s score
Until plastic cracks
Snaps thy credence
Bleeds upon the floor
Red, white, n’ blue
American dreaming
T’know nothing’s indissoluble
Dust t’dust
Dust t’dust
O’ tepid angels
Therefore
Wherefore
No more

source: R. Productions

The Kreep Pens Bloody Valentine

What if Cupid watched the slasher flick My Bloody Valentine 3D?

Cupid is right outside a suburban window. An old angel with dirty wings, he stands there peek-a-booing through the frosty glass of someone’s living room. He takes a withered hand and wipes away the chill, wonders why the roses and the paper hearts aren’t hung around the living room akin to the holly and blinking lights that the Christmas angels all adore. He thinks his lovely celebration is dwindling. Cupid deems our hearts are growing bitter. So our wee-sized cherub with a duffle bag filled with dusty arrows and a bow shakes his head, walks away bewildered.

Cupid passes a movie theatre where the marquee flickers the latest show: My Bloody Valentine, now in dazzling 3D. He buys a voucher as the ticket taker rips it with a smile full of metal. The young boy behind the ropes doesn’t even notice the seraph, not at all. Which is a trick that Cupid mastered long ago. If you saw him, he would simply appear as someone you once loved.

Now Cupid hasn’t taken-in a picture show for ages. Of course he knows that this is a really creepy one, but he’s watched a few before. He remembers Alfred Hitchcock’sPsycho and Steven Spielberg’s Jaws and figures incorrectly that the valentine in the title suggested something easygoing; at least it was “theme appropriate” to his cause.

It wasn’t long before the first 3D gore hit the big screen with a splatter. He ducked, stopped eating his popcorn too. More than anything, Cupid loved to munch on buttered popcorn. After today, he would never eat another kernel. He spit the rest back into the greasy cardboard bowl and slid it under his seat. He was glad no one noticed that he did that. They were all too busy screaming.

All around him couples were clinging to one another, shrieking n’ shivering from the horrors director Patrick Lussier (Scream I, II & III) persistently threw in all their faces. And they loved it. Every last adolescent one of them was in cheesy splatter heaven. Holding onto one another as if they were dropping off the face of a way too complicated world, My Bloody Valentine – 3D delivered such gratuitous ultra-violence to make their little hearts explode.

Later, Cupid finds himself peeking through the same suburban window. Two teenagers are sitting uncomfortably on the sofa. He knows that they are the next to fall in love. Without a thought, he summons a most severe malevolent demon from beneath the floorboards that’s more than willing to oblige. The creature pushes his face right into the couple’s. It scares the b’jesus outta ‘em as they scream like little girls. The demon disappears as quickly as he manifested. There was silence for a while. A little bit of steam from where the creature vanished hovered in the air. Then, as Cupid had predicted, they fell lovingly into one another’s arms.

In E†ernity,
Brazillia R. Kreep



source: R. Productions

Be Careful What You Wish For, An Ode To Coraline


The Kreep, Karmela, and Coraline box #46 from Liaka Films

I am so in love with Henry Selick's animated 3D masterpiece Coraline that I will see it a hundred times more, and if so allowed, many times thereafter. Such a luscious and ample world it creates. From the very launch of the film, a tiny whiff of shadowy wonder swiftly frees my inner child, taking him by the hand, touching the oh-so-curious nature of his heart, to place him delicately at the foot of magnificent awe and splendor.

Based on Neil Gaiman's superlative book, Coraline achieves a classic ambience, a look and feel that has and will continue to weave itself into the very fabric of our culture. Fantastic characters, visual parades of pomp and circumstance, Gothic flights of fancy all wrapped within a musical score by the stirred maestro Bruno Coulais, and this Coraline is easily and without question this generation's Wizard of Oz.

I have heard the whispers of caution to the kiddies. Ignore them all I tell you. For flying monkeys grabbing little girls and puppy dogs in the land of Oz certainly had me running for the covers when I was just a child, and the very reason I went back for more each and every year. Life IS scary after all, and unpredictable, and wondrous too. That's why Coraline fits the bill so scrumptiously.

I will not waste your precious time on regurgitated storylines or detailed moments that spoil the surprise, but rather encourage you to go out and buy your ticket straight away at once without delay. For when I sat in the theatre full of adults and wee ones chattering and guffawing about nothing much, the moment Coraline parted the curtains, there was a hush that lingered throughout the entire film. Only the collective waves of revelations, yelps, and opulent ovations remained until the final credits rolled. A wondrously fabulous thing indeed!

In Eternity,

Brazillia R. Kreep


12.10.2008

"Coraline" Animated Film Team Honors The Kreep

Gothic poet and illustrator The Kreep (a.k.a R. O’Donnell) has received an entirely handmade box of treasures collected specifically for him by the CORALINE team at Laika films. Inside the box, numbered 47/50, are highly decorated secret compartments that contain relics from the film including a bat/dog model, a bat body mold, authentic skeleton key with secret password, and a wing skeleton prototype #3. An old envelop with a wax seal with inlaid black button (as used for the eyes of the witch) and a hand-typed note explained the curious gift:
DEAR R.,

INSIDE THIS OLD BOX IS A ONE-OF-A-KIND COLLECTION WE’VE AMASSED AND CATALOGUED WITH YOU AND YOU ALONE IN MIND…THE PLAIN TRUTH OF THE MATTER IS, WE ARE PRETTY OBSESSED WITH DARK STORIES. LIKE YOU. WE ADMIRE YOUR DEDICATION TO THE KREEP. PLEASE KEEP UP THE SUPER WORK. WE’LL BE READING.

SINCERELY,

THE CORALINE TEAM

For the last three years, 351 of the world’s oddest and most talented animators, artisans, and puppet fabricators have been hand-making CORALINE. Led by Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS and JAMES AND THE GIANT PEACH, this team has created the first stop-motion feature shot entirely in 3D. Based on the beloved best-selling children’s classic by Neil Gaiman, CORALINE is a fairy-tale nightmare steeped in classic storytelling, craftsmanship, and the old-fashioned art of moviemaking magic. CORALINE hits theatres February 2009.


The Kreep is produced by R. Productions in association with Hoffhines Productions, and published by Static Networx on 100% of Nothing, an art and culture ezine linked to a free downloadable podcast on iTunes.

> More Kreep

> Official Coraline Website

source: R. Productions

10.30.2008

Gothic Poet The Kreep Pens *Jigsaw* On iTunes For Halloween

SAW V in theaters now

Gothic poet The Kreep has penned one of his very special poems entitled Jigsaw to honor SAW V the latest offering in the popular SAW horror film franchise, to be posted on popular eZine 100percentofnothing.com on Halloween.

The Kreep, produced by R. Productions in association with Hoffhines Productions, and published by Static Multimedia, is offered in several social media formats such as a syndicated feature on 100percentofnothing.com, an art and culture Ezine linked to a free downloadable podcast on iTunes. Selected poems will also receive an audio/visual treatment and posted on YOUtube and Vampire Freaks while compilations can be found in book form on Issuu. And throughout the month of October, The Kreep is one of the Voices Of Halloween on the 8th annual Neverendingwonder.com Halloween Radio.

A new Kreepy poem is available every Wednesday at midnight on 100% of Nothing with a link to a free iTunes podcast. Last week The Kreep payed tribute to one of the greatest horror films of all time, William Petter Blatty's The Exorcist, in stores now on DVD.

Take a slice of Edward Gorey, a dash of Gothic angst with just a pinch of Gomez Addams, and you’ll understand THE KREEP’s romantically macabre sensibility.

External Kreepy Links

100PERCENTOFNOTHING.COM

KREEPY KRUMBS - VOL. I - BOOK OF POEMS

THE KREEP ON MYSPACE

THE KREEP ON VAMPIRE FREAKS

THE KREEP ON iTUNES †

THE KREEP ON YOUtube

THE KREEP is an R. Productions, Static Multimedia, and Hoffhines Production gig. © 2008 R. Productions

source: r-productions.com

10.23.2008

THE KREEP PENS ODE TO THE EXORCIST



I first saw William Peter Blatty’s The Exorcist, directed by Academy® Award-winner William Friedkin (The French Connection) in a small suburban movie theatre nestled in the heart of Media, Pennsylvania–just West of Philadelphia. Afterwards, I slept with the lights on… for weeks. Literarily. The idea that the devil could just sweep into my body, and make me spew all over a priest had me absolutely terrified. I was an altar boy after all. I even knew where the Holy Water and the wine were stashed for goodness sake. I also hung around the priests, some old enough to remind me of the exorcist himself. While others had tales of actual exorcisms they had attended over the years. It was such a creepy existence after experiencing that horror show.

The Exorcist, directed by Academy® Award-winner William Friedkin (The French Connection) is the scariest movie in the world. Period. I visit it only once in a blue moon after many glasses of wine or when I want to feel the warm release of my bowls. Such as after Regan (Linda Blair) walks backwards down the stairs like a spider in The Version You’ve Never Seen. Oh my God. I am sitting in a darkened theatre in Chicago, Illinois some thirty years later, knowing I can handle the scares because I know the film, I know it, every creepy nook and cranny. But when Regan runs down the stairs like an arachnid on speed I screamed along with several other unsuspecting souls. We all looked at each other. We were all going to be sleeping with the lights on… again.
So step on up, ladies and gentlemen! This is the original, the one and only most terrifying exorcism movie ever filmed. Watch it alone and in the dark, folks. I double-double-dare you.

In E†ernity,
The Kreep

THE EXORCIST
Across the window pane an autumn leaf hovers
T’sway back and fourth
drop toward Boston street below
Float endlessly along concrete stairs
As hobgoblins n’ witches titter crosswalks
Whist beneath lamppost he stands in shadows
T’know duty holds him still
A Priest eyes the leaf,
Folding over n’ over
T’land at feet quite cold
How he knows what waits inside the girl
For it is endless
Without patience
All ego n’ bitterness scold
T’kill the slightest warmth
Bend most delicate devotion
Crush innocent soul
There in window peeking
Tiny leaf hitches another gust
T’disappear into the gloom
O’ exorcist t’cross himself
Stand more erect than his age permits
Removes his hat
T’approach such wickedness
Unyielding



KREEPY KRUMBS - VOL. I - BOOK OF POEMS

THE KREEP ON MYSPACE

THE KREEP ON VAMPIRE FREAKS

THE KREEP ON YOUtube



source: r-productions.com

10.11.2008

THE KREEP HAUNTS NEVERENDINGWONDER HALLOWEEN RADIO

THE KREEP'S LATEST ODE TO CARPENTER'S HALLOWEEN

The Kreep, a gothic poet haunting Ezines, social sites and podcasts all across the internet, is one of the Voices Of Halloween on the 8th annual Neverendingwonder.com Halloween Radio.

In addition to broadcasting the widest variety of Halloween themed music & comedy on three award winning Halloween Radio stations every October, The NeverEndingWonder Halloween Radio Empire includes The Voices of Halloween! This audio series will present Halloween greetings, memories and station IDs from some of the most infamous names to horror fans including The Kreep, penned and voiced by R. O'Donnell. You'll also hear the renowned Forrest J. Ackerman himself, as well as David Hedison (star of Voyage to the Bottom of the Sea and the original version of The Fly), David Chomiak (writer of Fido), Sean Keller (writer of Dario Argento's upcoming film Gaillo), as well as other horror writers, horror film actors, makeup and effects artists, horror hosts, musicians and more.

The Kreep, produced by R. Productions in association with Hoffhines Productions, and published by Static Multimedia, is offered in several social media formats such as a syndicated feature on 100percentofnothing.com, an art and culture Ezine linked to a free downloadable podcast on iTunes. Selected poems will also receive an audio/visual treatment and posted on YOUtube and Vampire Freaks while compilations can be found in book form on Issuu. A new Kreepy poem is available every Wednesday at midnight on 100% of Nothing with a link to a free iTunes podcast.

This week The Kreep pays poetic homage to John Capenter's classic horror tale Halloween. Take a slice of Edward Gorey, a dash of Gothic angst with just a pinch of Doctor Seuss and you’ll understand THE KREEP’s sensibility.